The past decade has been marked as a major refreshment of the jazz scene around the world, including key cities such as Los Angeles, New York, Chicago and London. This new generation of musicians made a real renaissance of the genre, once again taking it from the underground to the mainstream, attracting completely new audiences.

The same mission is guided by the musicians of Wrocław based band EABS. They have been working on the concept of "reconstruction from deconstruction" since 2012, often redefining the classics from several decades ago, mixing them with the latest genres of contemporary urban music, creating a completely new quality and original sound. It is possible that many will claim that this is no longer jazz, but sometimes you have to demolish and rebuild to create something completely new - based on the old foundations.

The musicians' camp in Wrocław who have been growing and developing at the legendary Electro-Acoustic Beat Sessions at the now defunct Puzzle club (2012-2014). The record, which is the essence of these sessions, can be heard today on the first release bearing the acronym EABS - hardly available today, but formerly distributed for free on the cassette Puzzle Mixtape [Astigmatic Records, 2016]. Among the guests of these sessions were MED (Stones Throw), Coultrain, Ben Lamar Gay (International Anthem) and Jeru The Damaja. The closure of the club was an impulse for further development, which meant that the EABS band grew into one of the most important voices of the Polish jazz community in recent years. The audience had to wait almost three years for the debut EABS’ material, when the collective began to move away from hip-hop being understood as a genre in which the rapper plays the first fiddle. The uniqueness of EABS, however, is determined not only by the instrumental mastery and topicality of their language of expression, but also by hip-hop provenance and socio-political commitment.

In 2017, after the critically acclaimed debut album EABS Repetitions (Letters to Krzysztof Komeda), devoted to the less known works of Komeda, the band decided to keep the momentum and release two more vinyl records. The first (black), recorded live in Katowice - Repetitions (Letters to Krzysztof Komeda) Live at Jazz Club Hipnoza and the second (pink) recorded on tape and released on the British label 22a Music, entitled Kraksa / Svantetic, crowning their work with the so called “Komeda’s triptych". The third (green) studio album received many great reviews in Poland and abroad, was promoted on many radio stations in Poland and around the world, including Gilles Peterson (BBC Radio 6 Music), Thris Tian (Worldwide FM), Lefto (Radio Brussels) and Andrew Jervis (Bandcamp). Some of the biggest polish magazines and newspapers (such as Polityka, Przekrój, Rzeczpospolita) praised their work. The band also appeared on the cover of the Jazz Forum magazine. The excellent reception sold out the entire first edition of albums within a month and a half of the premiere.

Shortly after the premiere of their debut album, EABS played in such prestigious venues as Studio S1 in Warsaw, at the Shakespeare Theater in Gdańsk, at the NFM in Wrocław or the NOSPR hall in Katowice and at some of the largest Polish festivals such as Woodstock in Kostrzyn nad Odrą, Tauron Nowa Muzyka, OFF Festival in Katowice, Open'er in Gdynia and a concert tour at Męskie Granie. The band also played the main jazz festivals in Poland: Jazz nad Odrą, Warsaw Summer Jazz Days, Jazz Jamboree, Bielska Zadymka Jazzowa and many more. EABS has appeared many times in the UK, playing at vibrant London venues such as Total Refreshment Center, KOKO, Ronnie Scott’s as well as clubs in Manchester and Liverpool. They performed at XJAZZ in Berlin and such showcase festivals as Eurosonic (Groningen) or The BuSH Festival (Budapest). EABS also played several concerts in China (Xiamen, Guangzhou, Shenzhen) and South Korea (Seoul, Jarasum Festival). Later, the band also appeared in Hungary, Romania, Austria, France, Italy, Belgium, Germany and Montenegro.

Despite the fact that the reinterpretations of Krzysztof Komeda's music performed by EABS were very far from the originals, many people wondered what their original album, which appeared in mid-2018, could sound like. This time the band focused on Slavic mythology and Polish demonology, inviting British musician Tenderlonious to cooperation. The main inspiration for this album was the world famous "Slavic melancholy", in which the band tried to find their own DNA. Slavic Spirits is an attempt to contact the spirit of the irretrievably lost culture of Slavs living close to nature, as well as with their world burdened with serfdom, which, due to the illiteracy of the people, will never be thoroughly researched. It means that it can only be referred to through the language of emotions. Therefore, under the influence of the deliberations of many musicians, historians, journalists, writers and even psychotherapists, compositions that the band got out of the depths of their spirit and imagination began to appear very quickly.

In October 2019, after more than 33 years, the archive record from the first landing of Sun Ra Arkestra in Poland was released to the public. On the occasion of the Sun Ra Live in Kalisz 1986 premiere, EABS has prepared a special concert related to this release. Moments later, during the lockdown, a deep reflection on the philosophy of the incomer from Saturn influenced the recording session and the final shape of the album Discipline of Sun Ra. Then there were quite serious changes in the selection of songs and even more ambitious attempts at the recreation of originals, pushing some compositions not only towards hip-hop (in the spirit of inspired by Gil Scott-Heron or David Axelrod), but also genres such as juke or house. “By infinity, Mr.Ra means creating jazz of the future, but also covering the past”- the same idea is carried by polish musicians. On the Slavic Spirits album, EABS was inspired by the ancient past. As we now know, discovering Sun Ra’s concept wasn’t coincidental. He also believed and shared the philosophy of coming through the darkness to see the sun and enlightenment. In case there’s no hope for living on our planet, we need to look for metaphorical escapism. That’s where the idea of building a cosmic ship under ‘Polish Space Program’ was born.

If one was to interpret the whole output of EABS in general, an inquisitive listener would notice that each subsequent album stems from the previous one. The overtones are similar and they can be treated as variations on the same theme. The only thing that changes is the background of the story. It is all about life and death, the beginning and the end of the world, and the role of human beings entangled in all this existentially. Following the futurism lessons from Sun Ra, the band travels to the year 2061, continuing their mission in space in the company of a living legend, Jan Ptaszyn Wróblewski. 

"ALL THESE WORLDS ARE YOURS – EXCEPT EUROPA. ATTEMPT NO LANDING THERE." – this was the ominous message from the mythical Monolith of Arthur C. Clarke's 2001: A Space Odyssey. The quote became a metaphor for the situation the EABS crew found themselves in when the pandemic hit. It was not only Europe that became inaccessible, the whole world shut down. A reflection emerged that only empathy and cooperation could save humanity. We will not be able to face the greater threat that may come from the outside together by fighting wars among ourselves on Earth. A similar analogy can be seen in Arthur C. Clarke's book series, which was made even more famous by Stanley Kubrick with his iconic screen adaptation, 2001: A Space Odyssey. Released in 1986, the third part of the series has served as an inspiration for the fourth EABS album titled 2061, a soundtrack to the film that hasn't been made yet.

Next year (2023) EABS quintet met in a musical fusion with the band named Jaubi. The result is a combination of futuristic jazz from Poland with traditional music from Pakistan. Three years ago, a unique concert took place in the Norwegian Melahauset in Oslo, bringing together musicians from all over the world. Jaubi, a Lahore-band, together with a pianist from Wrocław, Marek "Latarnik" Pędziwiatr, and a saxophonist from London, Tenderlonious, played their first concert with material from the album "Nafs at Peace", which was not released yet back then, and a year later in 2020 it became one of the highest rated jazz albums according to The Guardian, Bandcamp, Downbeat, Pitchfork and many others. When the plan of the trip to Lahore was made real to record music together and combine different musical traditions, it was certain that it would be necessary to do the opposite way and meet in Poland as well. This way, musicians would be able to record new music with an even larger line-up. This time, Astigmatic Records have joined forces with the Adam Mickiewicz Institute to present the outcomes of a joint recording session. The combination of piano, synthesizers, a powerful brass section, and the bold bass and drums characteristic of EABS will be coming together with the masters of tabla and sarangi, as well as the subtle touches of electric guitar. A real crowd on stage: 8 musicians. You simply cannot miss this international orchestra!

2023 was a breakthrough year for EABS in many ways. It was all thanks to the well received, fully self-produced album entitled In Search of a Better Tomorrow, recorded in collaboration with the Pakistani band Jaubi. The record provided the opportunity to tour in France, Italy, the Netherlands, Belgium and China. It was praised by media outlets such as Le Monde, L'Echo, Politis, Stern, Bandcamp and Gazeta Wyborcza, while The Guardian included the release in its 'The Best Global Albums of 2023'. EABS' forthcoming sixth album is a return to their roots – literally and figuratively. It is an in-depth study on rhythm, which materialised in the form of the album titled Reflections of Purple Sun. The back to the roots part not only manifests itself in the lack of guest instrumentalists, but also in a renewed focus on the history of Polish jazz. The band's debut album Repetitions... was dedicated to Krzysztof Komeda. This time, the band picked up the entire Purple Sun album, which Tomasz Stańko recorded half a century ago. From the POV of Purple Sun fans, a hard-to-find and somewhat forgotten album, it may seem like a doomed undertaking. However, in order to pay tribute to one of the most iconic figures of Polish jazz, it was worth embarking on this mission and attempting to engage in a non-verbal conversation with the Slavic spirit that Master Tomasz Stańko undoubtedly was.

Band members:

Marek Pędziwiatr - piano, synths & vocal

Paweł Stachowiak - bass

Jakub Kurek - trumpet

Olaf Węgier - tenor sax

Marcin Rak - drums

Discography:

EABS - Puzzle Mixtape [Astigmatic Records, 2016]

EABS - Repetitions (Letters to Krzysztof Komeda) [Astigmatic Records, 2017]

EABS - Repetitions (Letters to Krzysztof Komeda) Live At Jazz Club Hipnoza (Katowice) [Astigmatic Records / More Music Agency, 2018]

EABS ft. Tenderlonious - Kraksa / Svantetic [22a Music, 2018]

EABS - Slavic Spirits [Astigmatic Records, 2019]

EABS - Discipline of Sun Ra [Astigmatic Records, 2020]

EABS - 2061 [Astigmatic Records, 2022]

EABS meets Jaubi - In Search of a Better Tomorrow [Astigmatic Records, 2023]

EABS - Reflections of Purple Sun [Astigmatic Records, 2024]

Awards & nominations:

1. Wroclaw's Artistic Discovery of the Year - WARTO 2014 (Gazeta Wyborcza),

2. Emotions 2017 (Radio Wrocław Culture) ,

3. Jazz Debut - Mateusze Trójki 2017 (National Polish Radio Three),

4. Music Award of the mayor of the city of Wrocław 2017 (City of Wrocław),

5. GaMa Award 2017 - the best album (Gazeta Magnetofonowa Magazine),

6. The Best Newcomer Jazz Band 2017 - Jazz Forum,

7. The Best Electronic Jazz Band 2017 - Jazz Forum,

8. Nomination for Polityka's Passports 2017 (Polityka Magazine),

9. Nomination for the Night Marks Award 2017 (Aktivist Magazine),

10. Nomination for Fryderyk Award 2017 - Jazz debut (ZPAV),

11. 30 Creatives of Wroclaw 2018

12. The Best Electronic Jazz Band 2019 - Jazz Forum,

13. Nomination for Polityka’s Passport 2020,

14. Nomination for the Discovery of Empik 2020

15. Nomination for Fryderyki 2020 awards - best jazz band

16. The Best Electronic Jazz Band 2020 - Jazz Forum

17. The Best Electronic Jazz Band 2021 - Jazz Forum

18. The Best Electronic Jazz Band 2022 - Jazz Forum

19. Nomination for Fryderyk 2022 awards - best jazz band

20. The Best Electronic Jazz Band 2023 - Jazz Forum

21. Fryderyk 2023 awards - best global album